I am a lineman for the county and I drive the main road Searchin' in the sun for another overload I hear you singin' in the wire, I can hear you through the whine And the Wichita Lineman is still on the line I know I need a small vacation but it don't look like rain And if it snows that stretch down south won't ever stand the strain And I need you more than want you, and I want you for all time And the Wichita Lineman is still on the line And I need you more than want you, and I want you for all time And the Wichita Lineman is still on the line ©CANOPY MUSIC, INC

Tracks: Freewheelin' outtakes: Instrumental (Dylan - harp) Milk Cow's Calf's Blues I (Robert Johnson) Milk Cow's Calf's Blues II (Robert Johnson) Wichita Blues (Going to Louisiana) I (Trad) Wichita Blues (Going to Louisiana) II (Trad) Whatcha Gonna Do That's Alright Mama (A. Crudup)* The Times outtakes: Hero Blues (Witmark Demo) Lonesome Whistle (H.Williams/J.Davies) Another Side outtakes: I Don't Believe You Chimes of Freedom Motorpsycho Nightmare All I Really Want To Do Newport Folk Festival: All I Really Want To Do ** Mr. Tambourine Man Bringing It All Back Home outtake: You Don't Have To Do That Highway 61 Revisited outtakes: Tombstone Blues I Tombstone Blues II Queen Jane Approximately nformation: Source / Venue: Freewheelin' sessions CBS Studios, NYC April 24 & 25, 1962 except: * Nov. 14, 1962 The Times sessions CBS Studios, NYC Aug-Oct 1963 Another Side sessions CBS Studios, NYC June 9, 1964 Newport Folk Festival 7-26-65 **Workshop 7-24-65 Bringing It All Back Home session Jan 13, 1965 Highway 61 sessions CBS Studio A, NYC June-July 1965 Review: A jam packed 80 minute disc offering various studio outtakes of the 60s. While this is a great quality set, I prefer to have a full set from a particular session, rather than hop scotching on highlights. That said, there are some real gems here. While appearing on several other boot releases, the fan of top quality studio outtakes will enjoy this. This is the first installment of a series that was intended (as the title implies) to chronicle acetate recordings of studio outtakes. However, it loses momentum after the first two releases. The covers are generic scenes of roadways. While captivating, they have no Dylan tie-in.