There's nothing 'round here I believe in 'Cept you, yeah you And there's nothing to me that's sacred 'Cept you, yeah you You're the one that reaches me You're the one that I admire Every time we meet together My soul feels like it's on fire Nothing matters to me And there's nothing I desire 'Cept you, yeah you Nothing 'round here I care to try for 'Cept you, yeah you Got nothing left to live or die for 'Cept you, yeah you There's a hymn I used to hear In the churches all the time Make me feel so good inside So peaceful, so sublime And there's nothing to remind me of that Old familiar chime 'Cept you, uh huh you Used to play in the cemetery Dance and sing and run when I was a child Never seemed strange But now I just pass mournfully by That place where the bones of life are piled I know somethin' has changed I'm a stranger here and no one sees me 'Cept you, yeah you Nothing much matters or seems to please me 'Cept you, yeah you Nothing hypnotizes me Or holds me in a spell Everything runs by me Just like water from a well Everybody wants my attention Ev'rybody's got something to sell 'Cept you, yeah you

Tracks: Highway 61 sessions: Please Crawl Out Your window (3 takes) Desolation Row Ballad of A Thin Man (2 takes) I Wanna Be Your Lover Don't Wanna Be Your Partner (1) Visions Of Johanna (2 takes)(2) She's Your Lover Now (3) Instrumental (Dylan on guitar) Working On A Guru (4) Tomorrow Is A Long Time (5) Nobody 'Cept You (6) Highway 61 sessions CBS studios, NYC, June/July 1965 (1) CBS Studio A, NY 10-20-65 (2) CBS Studio A, NY 10-30-65 (3) BOB outtake, Music Row, Nashville, TN 1/21/66 (4) Harrison session CBS Studio B, NY 5/01/70 (5) CBS Studios, NYC May-July 1970 (6) Village Studio, LA, CA Nov. 2, 1973 Review: A full 74 minute disc offering various studio outtakes of the 60s and early 70s. This disc centers on the Highway 61 studio outtakes, and the studio recordings shortly after it's release. There's nothing new to be found here that hasn't been on boot before, but there are some great outtakes gathered together in one place. This is the second release of a series that was intended (as the title implies) to chronicle acetate recordings of studio outtakes. However, the project loses momentum after this release. The covers are generic scenes of roadways. While captivating, they have no Dylan tie-in.