Well, I see you got your brand new leopard-skin pill-box hat Yes, I see you got your brand new leopard-skin pill-box hat Well, you must tell me, baby How your head feels under somethin' like that Under your brand new leopard-skin pill-box hat Well, you look so pretty in it Honey, can I jump on it sometime? Yes, I just wanna see If it's really that expensive kind You know it balances on your head Just like a mattress balances On a bottle of wine Your brand new leopard-skin pill-box hat Well, if you wanna see the sun rise Honey, I know where We'll go out and see it sometime We'll both just sit there and stare Me with my belt Wrapped around my head And you just sittin' there In your brand new leopard-skin pill-box hat Well, I asked the doctor if I could see you It's bad for your health, he said Yes, I disobeyed his orders I came to see you But I found him there instead You know, I don't mind him cheatin' on me But I sure wish he'd take that off his head Your brand new leopard-skin pill-box hat Well, I see you got a new boyfriend You know, I never seen him before Well, I saw him Makin' love to you You forgot to close the garage door You might think he loves you for your money But I know what he really loves you for It's your brand new leopard-skin pill-box hat

PRODUCERS' NOTE About the audio: The producers have collected every known recording made during Bob Dylan's 1966 tour. The tour began on February 4th, 1966 in the U.S. and continued in North America until the beginning of April. Thereafter, the show moved to Australia, the Nordic countries and the British Isles. None of the shows were professionally recorded during the early months of the tour. What survives and what is represented here are roughly made audience recordings. Starting on May 1st, Dylan's sound engineer, Richard Alderson, recorded large parts of every show on a carefully adjusted, portable tape recorder. Although the quality is quite good, these recordings are taken directly from the mixing board - the same audio mix that would be played over the PA system in the local venues. Consequently, those tapes will have louder vocals and sound drier, with less hall ambiance than a live recording made for record release. Columbia Records recorded 4 shows: Sheffield, Manchester and London (2 shows) for the purpose of a live album. Recording rock 'n' roll live was brand new for the Columbia engineers and the resulting recordings vary greatly in sound quality. The vocals on the lectric set of the Sheffield recordings are so distorted that the producers of this release decided to use the audio from the mixing board instead. About the sequencing: The shows here are presented in chronological order, with the exception of those recordings in which the audio quality is so degraded that the sound detracts from the overall listening experience. These five shows (White Plains, Pittsburgh, Hempstead, Melbourne, Stockholm) are presented at the very end of this collection.