Author Archives: The Walrus

2016 Listening Party: New Morning (Oct 19, 1970)

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Tune in tonight at 7pm Atlantic for Tonight’s Listening Party Album: New Morning
(6pm Eastern, 5pm Central, 3pm Pacific, 11pm London, 10am Sydney)

New Morning is the eleventh studio album by American singer-songwriter Bob Dylan, released on October 19, 1970 by Columbia Records.  Coming only four months after the controversial Self Portrait, the more concise and immediate New Morning won a much warmer reception from fans and critics. Most welcome was the return of Dylan’s familiar, nasal singing voice. While he has a slightly nasal tone to his voice on “Alberta #1” from Self Portrait this was the first full album with his familiar voice since John Wesley Harding in 1967: he had taken on a country croon since then. In retrospect, the album has come to be viewed as one of the artist’s lesser successes, especially following the release of Blood on the Tracks in 1975, often seen as a fuller return-to-form.

Join us and chat with fellow fans at www.dylanradio.com/chat/ or Tweet using hashtag #DylanParty

2016 Listening Party: Self Portrait (Jun 8, 1970)

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Tune in tonight at 7pm Atlantic for Tonight’s Listening Party Album: Another Side of Bob Dylan
(6pm Eastern, 5pm Central, 3pm Pacific, 11pm London, 10am Sydney)

Self Portrait is the tenth studio album by American singer-songwriter Bob Dylan, released on June 8, 1970, by Columbia Records.

Self Portrait was Dylan’s second double album (after Blonde on Blonde), and features many cover versions of well-known pop and folk songs. Also included are a handful of instrumentals and original compositions. Most of the album is sung in the affected country crooning voice that Dylan had introduced a year earlier on Nashville Skyline. Seen by some as intentionally surreal and even satirical at times, Self Portrait received extremely poor reviews upon release; Greil Marcus’ opening sentence in his Rolling Stone review was: “What is this shit?”

Dylan has claimed in interviews that Self Portrait was something of a joke, far below the standards he set in the 1960s, and was made to get people off his back and end the “spokesman of a generation” tags.

Join us and chat with fellow fans at www.dylanradio.com/chat/ or Tweet using hashtag #DylanParty

2016 Listening Party: Nashville Skyline (Apr 9, 1969)

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Tune in tonight at 7pm Atlantic for Tonight’s Listening Party Album: Another Side of Bob Dylan
(6pm Eastern, 5pm Central, 3pm Pacific, 11pm London, 10am Sydney)

Nashville Skyline is the ninth studio album by American singer-songwriter Bob Dylan, released on April 9, 1969, by Columbia Records.

Building on the rustic style he experimented with on John Wesley Harding, Nashville Skyline displayed a complete immersion into country music. Along with the more basic lyrical themes, simple songwriting structures, and charming domestic feel, it introduced audiences to a radically new singing voice from Dylan, who had temporarily quit smoking—a soft, affected country croon.

The result received a generally positive reaction from critics, and was a commercial success. Reaching number 3 in the U.S., the album also scored Dylan his fourth UK No. 1 album.

Join us and chat with fellow fans at www.dylanradio.com/chat/ or Tweet using hashtag #DylanParty

2016 Listening Party: John Wesley Harding (Dec 27, 1967)

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Tune in tonight at 7pm Atlantic for Tonight’s Listening Party Album: John Wesley Harding
(6pm Eastern, 5pm Central, 3pm Pacific, 11pm London, 10am Sydney)

John Wesley Harding is the eighth studio album by American singer-songwriter Bob Dylan, released on December 27, 1967 by Columbia Records. Produced by Bob Johnston, the album marked Dylan’s return to acoustic music and traditional roots, after three albums of electric rock music. John Wesley Harding shares many stylistic threads with, and was recorded around the same time as, the prolific series of home recording sessions with the Band, partly released in 1975 as The Basement Tapes, and released in complete form in 2014 as The Bootleg Series Vol. 11: The Basement Tapes Complete.

John Wesley Harding was exceptionally well received by critics and enjoyed solid sales, reaching #2 on the US charts and topping the UK charts. The commercial performance was considered remarkable considering that Dylan had kept Columbia from releasing the album with much promotion or publicity. Less than three months after its release, John Wesley Harding was certified gold by the RIAA. “All Along the Watchtower” became one of his most popular songs after it was recorded by Jimi Hendrix the following year.

Join us and chat with fellow fans at www.dylanradio.com/chat/ or Tweet using hashtag #DylanParty

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PS: I’m not saying there might be a new live collection in the songpool, but there might be a new live collection in the songpool.

2016 Listening Party: Blonde on Blonde (May 16, 1966)

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Tune in tonight at 7pm Atlantic for Tonight’s Listening Party Album: Blonde on Blonde
(6pm Eastern, 5pm Central, 3pm Pacific, 11pm London, 10am Sydney)

Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released on May 16, 1966, on Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan’s live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—”One of Us Must Know (Sooner or Later)”. At producer Bob Johnston’s suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville’s top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.

Blonde on Blonde completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with Bringing It All Back Home and Highway 61 Revisited. Critics often rank Blonde on Blonde as one of the greatest albums of all time. Combining the expertise of Nashville session musicians with a modernist literary sensibility, the album’s songs have been described as operating on a grand scale musically, while featuring lyrics one critic called “a unique mixture of the visionary and the colloquial.” It was one of the first double albums in rock music.

Join us and chat with fellow fans at www.dylanradio.com/chat/ or Tweet using hashtag #DylanParty

cover_the_1966_live_recordings

PS: I’m not saying there might be a new live collection in the songpool, but there might be a new live collection in the songpool.